Call for Papers

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Artificial Intelligence (AI) has already fueled many academic fields as well as industries. In the area of art creation, AI has demonstrated its great potential and gained increasing popularity. People are greatly impressed by AI painting, composing, writing, and designing. AI has not only exhibited a certain degree of creativity, but also helped in uncovering the principles and mechanisms of creativity and imagination from the perspective of neuroscience, cognitive science and psychology.

This is the 3^rd AIART workshop to be held on MIPR and it aims to bring forward cutting-edge technologies and most recent advances in the area of AI art in terms of the enabling creation, analysis and understanding technologies. The theme topic of the workshop will be AI creativity. And we plan to organize a Special Issue on a renowned SCI journal. We sincerely invite high-quality papers presenting or addressing issues related to AI art, including but not limited to the following topics:

• Theory and practice of AI creativity
• Neuroscience, cognitive science and psychology for AI art
• AI for painting generation
• AI for music/sound synthesis, composing, matching and instrument digital design
• AI for poem composing and synthesis
• AI for typography and graphic design
• AI for fashion, makeup and virtual human
• AI for aesthetics understanding, analysis, assessment and prediction
• AI for affective computing of artworks
• Authentication and copyright issues of AI artworks

Paper Submission

The workshop will accept regular papers (6 pages), and demo papers (4 pages). Selected submissions could be invited to submit to journal special issues.

More information: https://mipr2021.org/pages/submission_instructions/

Submission address: https://cmt3.research.microsoft.com/AIART2021/Submission/Index

Submit link

Technical Program Committee (Tentative)

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• Baoqiang Han, China Conservatory of Music, China
• Baoyang Chen, Central Academy of Fine Arts, China
• Beici Liang, Tencent Music Entertainment Group, China
• Bing Li, King Abdullah University of Science and Technology, Saudi Arabia
• Changsheng Xu, Institute of Automation, Chinese Academy of Sciences, China
• Dongmei Jiang, Northwestern Polytechnical University, China
• Haifeng Li, Harbin Institute of Technology, China
• Haipeng Mi, Tsinghua University, China
• Jia Jia, Tsinghua University, China
• Jianyu Fan, Microsoft, Canada
• John See, Multimedia University, Malaysia
• Junping Zhang, Fudan University, China
• Kejun Zhang, Zhejiang University, China
• Lai-Kuan Wong, Multimedia University, Malaysia
• Lei Xie, Northwestern Polytechnical University, China
• Lin Gan, Tianjin University, China
• Long Ye, China University of Communication, China
• Mei Han, Ping An Technology Art institute, USA
• Ming Zhang, Nanjing Art College, China
• Philippe Pasquier, Simon Fraser University, Canada
• Qin Jin, Renmin University, China
• Rebecca Fiebrink, University of London, UK
• Rongfeng Li, Beijing University of Posts and Telecommunications, China
• Rui Wang, Institute of Information Engineering, Chinese Academy of Sciences, China
• Ruihua Song, Renmin University, China
• Shasha Mao, Xidian University, China
• Shiqi Wang, City University of Hong Kong, China
• Si Liu, Beihang University, China
• Simon Lui, Tencent Music Entertainment Group, China
• Weiming Dong, Institute of Automation, Chinese Academy of Sciences, China
• Wei-Ta Chu, National Chung Cheng University, Taiwan
• Wei Li, Fudan University, China
• Weiwei Zhang, Dalian Maritime University, China
• Xi Shao, Nanjing University of Posts and Telecommunications, China
• Xiaoyan Sun, University of Science and Technology of China, China
• Xinfeng Zhang, University of Chinese Academy of Sciences, China
• Yi Qin, Shanghai Conservatory of Music, China

History

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• AIART 2019: https://aiart2019.github.io/
• AIART 2020: https://aiart2020.github.io/